Argentina’s artistic community faces systematic repression under Javier Milei’s government, which merges far-right libertarianism with state-driven censorship. From canceling concerts at memorial sites to dismantling cultural institutions and smearing dissenting artists, the regime weaponizes bureaucracy against creative freedom. Yet from guerrilla performances to encrypted livestreams, artists are resisting with powerful acts of defiance—turning cultural repression into a spark for resurgence.
"Glances of Resistance" began as a covert Berlin exhibition by exiled Nicaraguan artists, documenting authoritarian violence through defiant art. As Nicaragua's regime intensified repression—banning performances, exiling creators, and dismantling civil society—art became both target and weapon. From torn-down “Trees of Life” to underground collectives, this resistance preserves truth where the state enforces silence. Global solidarity is now vital to protect Nicaragua’s vanishing creative voice.
“Echoes of War,” a play by Butere Girls High School, was censored despite winning regionals in Kenya's national drama festival. A court ruling ordered its reinstatement, but police blocked performances, detained playwright Cleophas Malala, and harassed students. On April 10, the cast protested by walking out in costume, singing the national anthem. The incident sparked national outcry, exposing tensions between youth expression and state control.
Since 2016, SUSMA24 (Speak Up Platform) has fought against rising censorship in Turkey’s cultural sector. Formed under P24 by journalists and civil rights advocates, the initiative unites 120+ institutions to document suppression, support artists, and engage international bodies. From legal victories to global advocacy and banned art exhibitions, SUSMA24 showcases how grassroots resilience and transnational solidarity protect artistic freedom.
A new document from Jewish Artists UK, Courage and Care, is reshaping the debate on antisemitism and censorship in the arts. Backed by over 100 Jewish creatives, it challenges how institutions define antisemitism, particularly in relation to pro-Palestinian expression. The guidelines call for nuanced understanding, defending artistic freedom while condemning real antisemitism. Context, not censorship, they argue, should guide cultural policy.
Since 2022, Ettijahat – Independent Culture’s Sanad in the Digital Realm has empowered Arab and diaspora artists to challenge censorship, reclaim memory, and create across borders. With support from Mimeta, the Asfari Foundation, and the Swedish Arts Council, the program fuels digital creativity in fragile ecosystems through mentorship, grants, and cutting-edge tools like AI and VR.
At Arendalsuka 2025, Samtale og mingel: Kunst, kultur, trusler og (selv)sensur? tackles rising threats to artistic freedom. Organized by Nordisk Ministerråd, Kulturdirektoratet, and Voksenåsen, the event combines expert panels with networking. It highlights challenges from harassment to self-censorship and links cultural resilience with democracy—engaging policymakers, artists, and advocates.
Visa For Music (VFM), the premier platform for African and Middle Eastern music, invites professionals to contribute to its 2025 Professional Forum in Rabat, Morocco, from November 19–22. Hosted by ANYA Culture, the forum features showcases, panels, and networking opportunities. Submit proposals for conferences, workshops, or masterclasses by May 25, 2025. Engage with 20,000+ attendees, share expertise, and empower underrepresented music communities
Mawred invites you to participate in three online conversations on 14-16-21 May, aiming to foster dialogue around the intersection of technology and arts, and deepen artists’ engagement with emerging technologies amid accelerating digital advancements and their growing impact on the cultural sector. These conversations are grounded in the lessons learned from the 12 projects supported by the Culture 3.0 project between 2022 and 2024, all of which operate at the crossroads of art, labor, and technology
The 2025 Philanthropy Asia Summit brought together 700 leaders across sectors to catalyze change for Asia’s most urgent challenges. Held in Singapore, the summit emphasized collaborative, data-driven philanthropy to tackle climate change, health, education, and inequality. With a focus on cross-sector partnerships and scalable innovation, PAS 2025 highlighted Asia’s potential to lead global progress through bold, systemic action and collective investment in a resilient, inclusive future.
Sarah Al-Bahrani, a rising Iraqi actress, was indefinitely suspended by the state-linked Artists Syndicate after exposing sexual extortion in the entertainment industry. Accused of “unethical conduct,” she alleges retaliation for speaking out. Her case reflects Iraq’s broader suppression of artistic freedom and gendered censorship. Despite harassment and threats, Al-Bahrani has become a symbol of resistance in the face of systemic repression.
Freemuse’s State of Artistic Freedom 2025 reveals alarming global trends in artistic repression throughout 2024. Launched during Democracy Week in Kristiansand, Norway, the report highlights intensified crackdowns in Iran, Türkiye, China, and conflict zones like Gaza. Democratic nations weren’t spared, as self-censorship grew. Legal and criminal threats continue to endanger artists worldwide. Freemuse calls for global action to protect creative expression.
Hoba Hoba Spirit's Rabat concert was indefinitely postponed after backlash from AS FAR football club supporters over frontman Reda Allali’s critical comments. The incident reveals Morocco’s ongoing struggle between artistic freedom and institutional sensitivities. As fans demand accountability, the postponement underscores how cultural expression remains entangled with political red lines—especially when the military or national identity is involved.
Just hours before opening, the satirical cartoon exhibition Licence to Offend was abruptly cancelled by TownSq gallery in Kingston, London. Featuring works by top UK political cartoonists like Morten Morland, the show depicted public figures including Trump, Starmer, and Musk. Citing potential offense and staff safety, the gallery pulled the exhibit. Morland criticized the move as a blow to free expression. Organizers seek a new venue.
Freedom in the Arts (FITA) has launched Afraid to Speak Freely, a powerful report revealing growing censorship, self-silencing, and ideological pressure within the UK’s arts and cultural sector. Based on responses from 483 professionals, the report calls for urgent action to protect freedom of expression and support viewpoint diversity across institutions in England, Scotland, Wales, and Northern Ireland.
On May 6, 2025, Azerbaijan became the first-ever global sponsor of the International Ski and Snowboard Federation. While projecting a modern and creative image abroad, the country intensifies censorship and repression at home. Independent artists face arrests, exile, and intimidation, revealing a stark contrast between Azerbaijan’s cultural diplomacy and the lived reality of creative voices who dare to dissent.
Omoyele Sowore’s critique of Nigeria’s legal system highlights deep-rooted judicial complicity in political repression. His prolonged persecution, despite multiple court orders, exemplifies how compromised courts and prosecutors fuel civil unrest. The 2024 #EndBadGovernance protests revived calls for judicial reform, as state-sanctioned crackdowns and unjust detentions revealed systemic failures. Without legal accountability, Nigeria risks repeating cycles of unrest and brutal suppression.
In Pune’s Pimple Nilakh, musician Swapnil Thakur has become the face of resistance against the controversial Mula Riverfront Development (RFD) project. With a drum kit, guitar, and harmonica, his protest anthem “Bahut bada ghotala hain…” has energized thousands. Blending music with activism, Thakur channels public outrage into powerful performances, challenging urban overdevelopment while reclaiming ecological and cultural identity along the threatened riverbanks.
Despite 73% of Americans giving to charity, only 16% support the arts—revealing a critical gap in cultural philanthropy. A 2025 AP-NORC study highlights how donor demographics, political ideologies, and structural inequities shape which creative voices are heard. As arts funding increasingly relies on private donors, questions arise about freedom, equity, and sustainability in cultural expression.
Olin Monteiro’s three-decade journey redefines feminist activism in Indonesia, merging art, political resistance, and historical memory. From founding ArtsforWomen Indonesia to connecting rural and urban movements, she uses creativity as both protest and healing. Her initiatives—spanning community theater, zines, and intergenerational networks—challenge patriarchal norms and state repression, positioning art as essential infrastructure for liberation.
