The tragic death of Albert Ojwang, a digital activist and teacher, while in police custody has ignited nationwide protests in Kenya. Ojwang, known for his bold critiques of corruption and police abuse, died under suspicious circumstances after his arrest. A damning autopsy contradicted official accounts, sparking public outrage. His story has become a flashpoint in Kenya’s ongoing battle against police brutality and for freedom of expression.
Tanzania’s creative sector is under pressure as government authorities intensify censorship. The National Arts Council (BASATA) now wields broad powers to ban or fine music, art, and online content deemed against “morals” or “public order.” High-profile cases—like those of Nay Wa Mitego, Roma Mkatoliki, and Zuchu—reveal a growing crackdown on dissent. As fear fuels self-censorship, artists and critics warn that the soul of Tanzanian creativity is at stake.
“Echoes of War,” a play by Butere Girls High School, was censored despite winning regionals in Kenya's national drama festival. A court ruling ordered its reinstatement, but police blocked performances, detained playwright Cleophas Malala, and harassed students. On April 10, the cast protested by walking out in costume, singing the national anthem. The incident sparked national outcry, exposing tensions between youth expression and state control.
Uganda’s artists face growing censorship under President Museveni’s rule. From banned music and plays to arrested comedians and TikTokers, creative expression is under siege. Laws targeting LGBTQ+ content and political satire have silenced many, yet artists continue to resist through coded messages, digital activism, and global collaboration—proving that creativity remains a powerful force against oppression.
