Olin Monteiro’s three-decade journey redefines feminist activism in Indonesia, merging art, political resistance, and historical memory. From founding ArtsforWomen Indonesia to connecting rural and urban movements, she uses creativity as both protest and healing. Her initiatives—spanning community theater, zines, and intergenerational networks—challenge patriarchal norms and state repression, positioning art as essential infrastructure for liberation.
Sukatani’s censored song sparks protests and debate on free speech, with police facing allegations of intimidation.