Inside Mumbai’s Liberty Cinema, Grover’s KISS turns a single kiss into a symbol of India’s enduring battle over censorship and creative freedom. Set entirely in a preview theatre, the film sharply critiques the societal and institutional forces shaping Indian cinema. Drawing from colonial-era laws to modern controversies, KISS uses satire to expose the absurdities of what’s considered “acceptable” on screen—revealing the constant push and pull between tradition and expression.