The Belgrade International Theatre Festival (BITEF), long considered Serbia’s gateway to global avant-garde performance, is facing unprecedented turmoil. The rejection of Swiss director Milo Rau’s project The Pelicot Trial triggered resignations, accusations of political pressure, and heated public debate. As institutions tighten control and artists speak out, BITEF 2025 has become a powerful symbol of Serbia’s struggle over artistic autonomy and cultural freedom..
 
	        		 
             
             
             
             
             
             
             
             
            