C-Stunners of Cyrus Kabiru. Photo: Sylvia Gichia
Mimeta and ICORN organized WEXFO 2023 Side Event
Tuesday 23 May, 9:45-12:30
Freedom of Expression as a universal human right, a main pillar of democracy and a pre-requisite for artistic creativity, is under threat in our world today. Carving out a space for free expression has always been a high-cost fight for artists under autocratic rule. Today, that space is contested even in established western democracies that has traditionally provided save havens for prosecuted artists from the global south.
Session Introduction:
Cato Litangen, Director MIMETA
Speakers:
Basma El Husseini, Founding Director of Action for Hope and Landscapes of Hope international community, Lebanon/Belgium
Faissal Kiwewa, Director Bayimba, Uganda
Helge Lunde, Director International Cities of Refuge Network (ICORN)
Helle Seljeholm, Visual Artist, Norway
Khalid Al Baih, Artist, Political Cartoonist, Sudan/Norway
Morten Gjelten, Director, Association of Norwegian Theatres and Orchestras (Norsk teater- og orkesterforening – NTO)
The current backdrop of violent setbacks to peaceful popular uprisings, the rise of authoritarian political movements and regimes, anti-democratic attacks on elected assemblies, concentration of power in a handful of business moguls and media systems, rising social and economic inequalities, and the war in Europe, has created fundamental uncertainty about freedoms that had been taken for granted for many decades.
The dream of reaching solutions to global challenges through economic growth, has been shattered by a pandemic that questioned the ability of some of our existing systems to combine economic growth with social welfare. A retreat to local and national interests is undermining the role of our universal rights systems to guide us into finding equitable solutions to serious global challenges, like climate change, migration, health and inequality. This is creating a vacuum of despair easily filled by fake news formed popular opinions, manipulated social media interactions, narratives of conspiracy, exclusion and protectionism, and alternative hegemonies.
Many artists and cultural producers around the world are trying to salvage a space for free expression, where the stories of what we experience are told from diverse places and perspectives, building narratives of inclusivity. A space where we can hear, feel and reflect on how our universal crises manifest themselves on individuals and communities living in contexts and under value systems, that maybe different to ours. In such a space, the more local the story is, the more global empathy it could inspire. Such flow of art from local to international, is no longer exclusively dominated by global north art centers. New global south hubs are emerging and gradually claiming ownership over who tells the story, to which audiences and under what conditions.
This session will present you with fresh and exciting models of international artistic exchange and networks of solidarity from some of these new hubs in Africa and the Middle East, as well as established, forward-looking ones in Norway and Europe. The session will also give the floor to the artists themselves, to tell their own story of journeys they made from local to international projects, and from contexts of risk to safer havens. The session aspires to do a reality check on how truly possible it is to carve a space for artistic freedoms in our world of today. How can this space inspire imagination for alternative inclusive solutions to our universal crises? What does it take from different players, both in established democracies and in contexts still struggling under autocratic regimes, to protect that space? Are we all doing enough?
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MIMETA Mimeta has been working within culture and development internationally since 2006. Mimeta engages in the protection of cultural rights - and culture sector development by the means of financial support, knowledge building and professional advises. The organization is registered as a Norwegian limited company with charitable statutes. Out of its base in the city of Arendal, Mimeta works internationally to enhance freedom of expression, artistic rights, including the rights of artists at risk for protection. In the last decade, MIMETA has directed most of its support to intermediary organizations, those who work on behalf of the practitioners, in arts and media in the Middle East and Africa.
ICORN The International Cities of Refuge Network is an independent organisation of cities and regions offering shelter to writers and artists at risk, advancing freedom of expression, defending democratic values and promoting international solidarity. ICORN Member Cities offer long-term, but temporary, shelter to those put at risk as a direct consequence of their creative activities. ICORN’s aim is to host as many persecuted writers, artists, and journalists in ICORN cities as possible, and together with sister networks and organisations, to form a dynamic and sustainable global network for freedom of expression. Since 2006, more than 80 cities worldwide have joined ICORN, giving shelter to no less than 300 writers, artists, and journalists. Find more information and a complete list of current ICORN Cities of Refuge. ICORN is both decentralised and coordinated. The Secretariat in Stavanger, Norway, serves as the communication hub for the independently managed ICORN Member Cities.
