The sudden cancellation of Malek Jandali’s “Syrian Symphony for Peace” tour in December 2025 has exposed how cultural policy, religious authority and the politics of martyrdom intersect in post war Syria. The decision to drop his Homs Clock Square concert at the last minute, followed by conflicting official and religious justifications, reveals how fragile guarantees remain for artists using public space to confront traumatic memory.
In August 2025, performances of the Malas brothers’ play All Naked, and You’re Doing Fine were abruptly halted in Tartus following their public criticism of ongoing abuses. While local reports described cancelled shows and suspended workshops, the Ministry of Culture denied issuing any ban, calling it a “misunderstanding.” Performances later resumed.