REPORT: SKeyes Center for Media and Cultural Freedom documents systematic targeting of Palestinian journalists, photographers, and artists in December 2025. The Palestinian Journalists Syndicate recorded 99 violations across Palestinian territories, with 48 detention cases in the West Bank alone. Named arrests include writer Sari Arabi (Dec 25), Palestine TV reporter Ahmad Shawar and photographer Bashar Nazzal (Dec 4), and comedian Amer Zahr in Nazareth (Dec 27). Israeli police also raided Haifa's Nayruz Music Institute Christmas performance, arresting three participants.
Egyptian security agents arrested poet and activist Ahmed Douma without a warrant from his Cairo home on January 19, 2026, charging him with "disseminating false news" for posts about imprisoned activist Mohamed Adel. This marks at least the fifth case against Douma since his August 2023 presidential pardon, following nearly a decade in prison. The UN Working Group on Arbitrary Detention previously deemed his detention arbitrary. Weeks before the arrest, he was prevented from boarding a flight to Lebanon.
Posted
Lebanese stand up comedian Mario Moubarak became the target of a national backlash in late 2025 after a joke about Jesus from his Awk.word set “I Believe” was edited, stripped of context and republished online. Christian activist networks and religious institutions amplified the clip, triggering doxxing, death threats and a blasphemy complaint that led to his arrest at Beirut Airport and an ongoing criminal investigation
Posted
Cabaret Paulikevitch in Beirut became a flashpoint in 2025, when Lebanese dancer and artivist Alexandre Paulikevitch faced threats and incitement from both Christian and Islamist extremists over his baladi performance. Despite calls to ban the show and online campaigns depicting his work as “perversion”, the September 11 cabaret went ahead to a sold-out audience at Metro Al-Madina, turning the stage into a rare moment of public resistance for queer-coded dance and artistic freedom in Lebanon
Posted
Laylat al‑Iḥsās (“Night of Emotion”) in Tripoli on 30 August 2025 became a focal point of debate over concerts during the Gaza war. A day before the show, Hizb al‑Tahrir activists and self‑described “defenders of Gaza and religion” marched against the event, backed by a statement from the Association of Muslim Scholars in Lebanon. Despite pressure, the concert went ahead under heightened security and without reported incidents
Lebanon’s satirical TV series “Marhaba Dawle” has become a key test case for artistic freedom, after the Ministry of Interior sought to ban it, producer Firas Hatoum was interrogated by security forces, and Christian and Muslim institutions filed complaints over alleged insults to religion. The legal setbacks for the state, and rising moral panic, reveal how courts, security bodies and religious authorities are reshaping the space for televised satire.
In April 2025, Lebanese artist Hanane Hajj Ali performed her acclaimed play “Jogging – Theatre in Progress” at the Lebanese International University in Saida, to a calm audience and open discussion. Days later, the university condemned the show under moral and religious pretexts, following an online smear campaign that weaponised decontextualised video clips and threats. Artists and cultural workers mobilised in response, framing the case as a dangerous precedent for artistic freedom in Lebanon
Posted
Lebanon's General Security Censorship Bureau delayed the theatrical release of the acclaimed anthology film "Disorder" in July 2025, conditioning its screening license on removal of a 20-second scene depicting security force violence against protesters during the October 2019 uprising. Director Lucien Bourjeily, facing a binary choice between censorship or complete ban, reluctantly complied to protect the work of three other filmmakers. The incident underscores Lebanon's continued suppression of artistic documentation of state violence and exemplifies the extrajudicial nature of the country's film censorship system.
Awk.word, Lebanon’s first underground stand up comedy platform, uses humour to confront corruption, inequality and shrinking civic space. Its cancelled Saida anniversary show and the prosecutions of comedian Nour Hajjar, over jokes about the army and religion, reveal how security bodies and religious authorities increasingly police what can be said on stage, turning comedy into a key battleground for artistic freedom.
The brief detention of Syria Prisons Museum founder Amer Matar in September 2025 shows how fragile the space remains for documenting torture and disappearance in post‑Assad Syria. By targeting a virtual museum that uses 3D technology to reconstruct prisons, authorities signalled that immersive memory projects and digital archives of abuse remain under suspicion.
The sudden cancellation of Malek Jandali’s “Syrian Symphony for Peace” tour in December 2025 has exposed how cultural policy, religious authority and the politics of martyrdom intersect in post war Syria. The decision to drop his Homs Clock Square concert at the last minute, followed by conflicting official and religious justifications, reveals how fragile guarantees remain for artists using public space to confront traumatic memory.
Iraqi singer Mohammed Abdel Jabbar successfully performed in Nasiriyah on November 15, 2025, despite opposition from religious figures who condemned the concert as incompatible with the city's religious identity. However, just over a week later, concerts scheduled in Basra were cancelled after the organizing company received threats. The cancellation followed protests by clerics denouncing entertainment events, continuing a pattern of pressure against cultural activities in southern Iraq since 2019.
Posted
UK-based Syrian comedian and journalist Malath Alzoubi faced a wave of online threats after a July 2025 stand-up clip satirising Syria’s new leader Ahmad Al‑Sharaa and HTS’s history of dismantling infrastructure. Weeks after the video, a coordinated harassment campaign across Instagram, X and Facebook used homophobic slurs and location-based threats, exposing how Syrian artists in exile remain vulnerable to transnational digital intimidation.
Iraq’s 2025 Husseini Chant Festival shows how religious authority can curb cultural policy without legal bans. After the Ministry of Culture introduced instrumental music into Arbaeen rituals, a clerical backlash led by Ali Al‑Talqani sparked online outrage and institutional hesitation, revealing how informal pressure and fear of controversy drive self‑censorship in Iraq’s cultural sector.
Posted
CommentPost a comment
In May 2025, a governance crisis shook the Syrian Artists’ Syndicate when four council members challenged newly appointed head Mazen Al‑Natour over unilateral decisions and lack of accountability. Their attempt to withdraw confidence was rejected as “illegal,” followed by their removal from the council. The episode exposes how post‑Assad institutions risk replicating old authoritarian patterns instead of protecting artistic freedom
Indian films are facing growing, selective scrutiny in Gulf states, especially when they depict India–Pakistan tensions, Kashmir, or LGBTQIA+ lives. Recent bans on “Dhurandhar”, “Sky Force”, and the Malayalam film “Maranamass” show how geopolitical sensitivities and moral norms shape access to cinema for South Asian audiences across the region
Mimeta’s December 2025 reporting focuses on the Middle East and North Africa, revealing how artistic life is increasingly constrained by overlapping systems of state power, religious authority and informal enforcement. From disappearances and arrests to quiet bans and moral campaigns, artists across the region face repression that is often unwritten yet deeply effective, shaping what can be seen, heard and performed, and who is allowed to appear in public cultural life.
Posted
CategoriesCensorship in Arts, Censorship MENA, Censorship SWANA, Middle East, Mimeta, North-Africa, Reports
When the Saudi historical drama Muawiya aired during Ramadan 2025, it ignited religious and political tensions in Egypt. Al‑Azhar issued a fatwa prohibiting its viewing, citing the portrayal of Prophet Muhammad’s companions as impermissible. Despite bans on local TV, the series remained accessible online, highlighting the clash between traditional censorship, sectarian sensitivities, and digital media’s reach in shaping historical narratives across the Arab world.
In July 2025, Syrian folk singer Omar Khairy was abducted from a wedding in his hometown of Al‑Bab by armed men who said they were acting for “general security.” Hours later, videos showed him beaten, shaved, and forced to sing under duress over his alleged praise of Bashar al‑Assad. The case reveals how rival authorities in northern Syria enforce red lines on cultural expression through intimidation and public degradation
Iraqi digital artist and performer Joanna Al Aseel was arrested in Baghdad on 12 May 2025 after her online content was flagged as “immoral” by a Ministry of Interior committee. Her conviction and three‑month prison sentence on 20 November 2025 exemplify Iraq’s expanding use of vague public‑morals laws to police artistic expression online and deter women artists and content creators from participating in digital public space
