In August 2025, security forces shut down Um Al-Rabe’ain Café in Mosul after a video of two women dancing inside the venue went viral online. The women, both employees, were detained along with other staff for alleged violations of “public morals.” The case exposes how digital outrage now drives state action, shrinking space for culture, leisure, and women’s visibility in Iraq’s recovering cities.
Iraqi novelist Rusly Al Maliki says security agents have informally banned his new book A Year of Decline, a searing account of Iraq’s corruption and social deterioration in 2024. The book was reportedly blocked from bookstores, the Baghdad Book Fair and delivery services without any court order. Al Maliki denounced the move as illegal and vowed to put the book online for free unless authorities back down by 26 September.
In August 2025, the Dean of the Faculty of Fine Arts at Damascus University ordered a ban on nude models in all graduation projects, threatening students with a grade of zero if they refused to comply. The decision triggered protests, a strong student statement, and wide online debate, reigniting long‑standing tensions over morality, religion, and artistic freedom in Syria.
In March 2025, security forces in Karbala closed the “Umm Kulthum” cultural café under the 2021 Sanctity of Karbala Law, solely because its name honored the iconic singer Umm Kulthum. The case shows how religiously framed regulations in Iraq are reshaping public space, restricting cultural venues, and pressuring owners to adopt overtly religious branding to avoid future trouble
In July 2025, authorities in Erbil, Kurdistan Region of Iraq, banned the sale and circulation of Labubu collectible dolls, citing deceptive blind-box marketing, consumer exploitation and potential psychological impacts on children. The move, framed as both consumer protection and cultural defence, has triggered debate over children’s welfare, market regulation and state control over cultural products.
The quiet cancellation of Jumana Manna’s solo exhibition at Heidelberger Kunstverein in 2023 has ignited debates on artistic freedom, Palestine, and the use of antisemitism frameworks in cultural institutions. Critics argue that IHRA definitions risk conflating political critique of Israel with antisemitism, limiting Palestinian voices. Manna’s case highlights self‑policing, institutional caution, and calls for alternative standards like the Jerusalem Declaration on Antisemitism.
Palestinian documentary filmmaker Abdallah Motan has been held in Israeli administrative detention since January 2025 without charges or trial. Known for his internationally recognized work, including Deferred Reclaim, Motan’s detention highlights the suppression of Palestinian cultural voices. Despite international calls for his release and solidarity screenings of his films, his status remains unconfirmed, raising urgent questions about freedom of expression and the rights of artists under occupation
In August 2025, performances of the Malas brothers’ play All Naked, and You’re Doing Fine were abruptly halted in Tartus following their public criticism of ongoing abuses. While local reports described cancelled shows and suspended workshops, the Ministry of Culture denied issuing any ban, calling it a “misunderstanding.” Performances later resumed.
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As war escalated in Gaza after October 2023, Meta’s platforms became crucial spaces for documentation and solidarity. Yet investigations and leaks suggest a vast system of digital censorship targeting Palestinian and pro-Palestinian content, allegedly in close coordination with Israeli authorities. While platforms deny political bias, artists and activists across the Arab world are now developing creative strategies to evade algorithmic suppression and preserve their narratives.
Iraqi singer Hussein Al-Turki says he was tricked into joining the Russian army after traveling to Moscow for what he believed was a performance contract. Regional outlets report he was moved far from the city, had his phone confiscated, and was pressured to sign documents he couldn’t read. While his account remains unverified, it reflects a broader pattern of foreign nationals being misled into military service.
When a Shiite cleric on Al‑Forat TV declared the popular game of dominoes religiously forbidden according to Grand Ayatollah Ali al‑Sistani, a seemingly simple question turned into a public controversy. The televised fatwa spilled onto Facebook, YouTube and Instagram, where Iraqis fiercely debated the limits of religious authority over everyday leisure and the soft pressures shaping cultural freedom.
Across the Arab world, governments are rapidly tightening rules on social media, influencers, and online expression. From Saudi Arabia’s 2025 media code to Egypt’s cybercrime prosecutions and Bahrain’s high-profile influencer arrests, these measures claim to protect morals and national identity—but also sharply limit free expression. The region is entering a decisive phase of digital governance, reshaping youth culture, journalism, and creative industries.
Saudi Arabia's newly enforced 2025 Media Rules, introduced by the General Commission for Audiovisual Media (GCAM), impose stringent guidelines on digital content. These regulations, targeting both citizens and foreigners, prohibit vulgar language, ostentatious displays of wealth, exposure of family disputes, non-consensual filming, and divisive content. Violations can lead to penalties ranging from fines to account suspension, significantly impacting influencers, brands, and individual content creators.
Two prominent Palestinian creatives, visual artist Amna Al-Salmi and photojournalist Ismail Abu Hatab, were among those killed when Israeli forces bombed the al-Baqa café in Gaza City. Once a vital social and cultural hub, the café offered rare space for connection and creativity under siege. Their deaths underscore the devastating toll of the war on Gaza’s civilian life and cultural memory.
A call for applications is now open for the eighth round of the Abbara program. This initiative is designed to empower collective cultural work, strengthen the arts and culture sector, and address the shared challenges faced by independent cultural actors across the Arab region.
Since 2022, Ettijahat – Independent Culture’s Sanad in the Digital Realm has empowered Arab and diaspora artists to challenge censorship, reclaim memory, and create across borders. With support from Mimeta, the Asfari Foundation, and the Swedish Arts Council, the program fuels digital creativity in fragile ecosystems through mentorship, grants, and cutting-edge tools like AI and VR.
Mawred invites you to participate in three online conversations on 14-16-21 May, aiming to foster dialogue around the intersection of technology and arts, and deepen artists’ engagement with emerging technologies amid accelerating digital advancements and their growing impact on the cultural sector. These conversations are grounded in the lessons learned from the 12 projects supported by the Culture 3.0 project between 2022 and 2024, all of which operate at the crossroads of art, labor, and technology
Sarah Al-Bahrani, a rising Iraqi actress, was indefinitely suspended by the state-linked Artists Syndicate after exposing sexual extortion in the entertainment industry. Accused of “unethical conduct,” she alleges retaliation for speaking out. Her case reflects Iraq’s broader suppression of artistic freedom and gendered censorship. Despite harassment and threats, Al-Bahrani has become a symbol of resistance in the face of systemic repression.
The arrest and extradition of Kuwaiti blogger Salman Al-Khalidi in January 2025 has ignited international debate over political persecution, human rights violations, and breaches of international law. Al-Khalidi, a vocal critic of authoritarian regimes, was extradited from Iraq to Kuwait despite his status as a political refugee. This controversial action raises serious concerns about the protection of free expression and the treatment of dissidents in the Gulf region, particularly with regards to violations of international legal protections for refugees.
The January 2025 arrest of Lebanese comedian Qassem Jaber over a satirical video has ignited a national debate on freedom of expression. Jaber, known for mocking Hezbollah and its affiliates, was accused of defamation and sectarian incitement after targeting lawyer Bouchra al-Khalil. His case underscores the risks faced by artists challenging political powers in Lebanon, where tensions between satire and censorship remain high.
