On 15 December 2025, a Moscow court designated feminist punk collective Pussy Riot an “extremist organisation,” banning all its activities across Russia after a closed-door hearing. The ruling vastly expands criminal liability for referencing the group, sharing its music or displaying its symbols. Human rights groups warn the decision marks a new stage in Russia’s use of extremism laws to erase artistic dissent, cultural memory and political opposition.

PEN America’s new list of the 52 most banned books in U.S. schools reveals a coordinated campaign against literature addressing race, gender, sexuality, and state violence. With over 22,000 documented bans since 2021 across 45 states, educational censorship is becoming normalized. Award-winning classics and YA titles alike are being removed, undermining artistic freedom, cultural rights, and young people’s access to diverse stories.

Iranian Nobel laureate Narges Mohammadi remains in detention after a violent arrest at a memorial ceremony in Mashhad, where security forces beat mourners and detained dozens. Mohammadi has been hospitalized twice for serious head and neck injuries caused by baton blows and has since been returned to custody despite serious pre-existing health conditions. Authorities have opened a new security case against her, including an accusation of “cooperation with Israel,” raising urgent concerns about her health, safety, and access to medical care.

Chinese actor Yu Menglong, 37, died in Beijing on September 11, 2025. Officially ruled an accidental fall, his death has made speculation online, fuelling debates across China and Taiwan. Suppressed domestic discussion collided with diaspora discourse, highlighting tensions between PRC narrative control and cross-border media scrutiny. The case reveals the limits of digital censorship, the power of global fandom, and the complexities of information in a politically charged environment

The arrest of veteran Algerian journalist Saad Bouakba has reignited debate over shrinking space for free expression in Algeria. Detained after remarks on alleged historical financial misconduct linked to the FLN, Bouakba now faces charges of defamation and insulting state symbols. His case highlights the growing criminalization of dissent, the fragility of historical debate, and the mounting risks faced by journalists, artists, and commentators who challenge official narratives.

A UK billboard campaign accusing Instagram of failing to protect users from scams was pulled just before launch, not by regulators but by media buyers wary of upsetting Meta, a major client. Created with scam victims and advocates, #IgnoredByInsta highlights the human cost of account hijacks and absent support. The incident exposes how commercial dependency in the advertising ecosystem can quietly suppress public criticism of powerful platforms.

As war escalated in Gaza after October 2023, Meta’s platforms became crucial spaces for documentation and solidarity. Yet investigations and leaks suggest a vast system of digital censorship targeting Palestinian and pro-Palestinian content, allegedly in close coordination with Israeli authorities. While platforms deny political bias, artists and activists across the Arab world are now developing creative strategies to evade algorithmic suppression and preserve their narratives.

Traditional musician Abbas Peymani was arrested by Iran’s IRGC Intelligence in Shahriar after criticizing political and economic conditions on social media. Taken to an undisclosed location with no public charges, his fate remains unknown, raising fears of enforced disappearance. Rights monitors say the case reflects a wider crackdown on artists, where peaceful expression is treated as a security threat and cultural voices are silenced.

A young singer in Tangier faced legal consequences after his Eid al-Fitr performance went viral, drawing criticism for content viewed as inappropriate for minors. The Tangier Court of First Instance imposed a suspended prison sentence and a fine. The case demonstrates how social media and local public-morals laws intersect with neighborhood celebrations in Morocco.

In 2025, Tunisian artists, cultural organizations, and independent media face mounting pressure from administrative suspensions, audits, and legal scrutiny. Dream City 2025 continued its program, but the broader arts ecosystem experiences self-censorship, interrupted projects, and heightened risk. Independent media collective Nawaat illustrates the intersection of artistic, journalistic, and civic freedoms under threat in Tunisia today.

Yekaterina Barabash, a renowned Russian film critic and journalist, became a symbol of defiance after opposing Russia’s “war-fakes” law. Arrested in 2025 for anti-war commentary, she was placed under house arrest before escaping Moscow with help from Reporters Without Borders. Now in France, Barabash continues to speak out for artistic freedom and against censorship in Putin’s Russia.

The arrest of journalist Mzia Amaglobeli has crystallised Georgia’s struggle over independent expression. Detained on 12 January 2025 during protests in Batumi after she slapped the local police chief, Amaglobeli was later convicted and sentenced to two years in prison — a move rights groups say fits a broader assault on media freedom. As she received the 2025 Sakharov Prize for Freedom of Thought, thousands of protesters took to the streets demanding her release, underscoring how cultural and journalistic voices have become frontline defenders in Georgia’s democratic crisis.

The Belgrade International Theatre Festival (BITEF), long considered Serbia’s gateway to global avant-garde performance, is facing unprecedented turmoil. The rejection of Swiss director Milo Rau’s project The Pelicot Trial triggered resignations, accusations of political pressure, and heated public debate. As institutions tighten control and artists speak out, BITEF 2025 has become a powerful symbol of Serbia’s struggle over artistic autonomy and cultural freedom..

The tragic death of Albert Ojwang, a digital activist and teacher, while in police custody has ignited nationwide protests in Kenya. Ojwang, known for his bold critiques of corruption and police abuse, died under suspicious circumstances after his arrest. A damning autopsy contradicted official accounts, sparking public outrage. His story has become a flashpoint in Kenya’s ongoing battle against police brutality and for freedom of expression.

At this year’s World Expression Forum (WEXFO) in Lillehammer, artistic freedom was conspicuously absent from the closing statement – a troubling omission from an event meant to champion all aspects of freedom of expression. We, as Mimeta, find this not only disappointing, but deeply concerning.

A new document from Jewish Artists UK, Courage and Care, is reshaping the debate on antisemitism and censorship in the arts. Backed by over 100 Jewish creatives, it challenges how institutions define antisemitism, particularly in relation to pro-Palestinian expression. The guidelines call for nuanced understanding, defending artistic freedom while condemning real antisemitism. Context, not censorship, they argue, should guide cultural policy.

Germany’s Bundestag passed a non-binding resolution in November 2024, urging that public funding for cultural and academic projects align with the IHRA definition of antisemitism. While not a law, the resolution is rapidly changing practices, impacting artistic freedom, and fueling debate over its effects, particularly in high-profile institutions like Documenta. Critics warn of self-censorship and legal uncertainty as Germany’s cultural sector adapts.

Just hours before opening, the satirical cartoon exhibition Licence to Offend was abruptly cancelled by TownSq gallery in Kingston, London. Featuring works by top UK political cartoonists like Morten Morland, the show depicted public figures including Trump, Starmer, and Musk. Citing potential offense and staff safety, the gallery pulled the exhibit. Morland criticized the move as a blow to free expression. Organizers seek a new venue.

On May 6, 2025, Azerbaijan became the first-ever global sponsor of the International Ski and Snowboard Federation. While projecting a modern and creative image abroad, the country intensifies censorship and repression at home. Independent artists face arrests, exile, and intimidation, revealing a stark contrast between Azerbaijan’s cultural diplomacy and the lived reality of creative voices who dare to dissent.

Omoyele Sowore’s critique of Nigeria’s legal system highlights deep-rooted judicial complicity in political repression. His prolonged persecution, despite multiple court orders, exemplifies how compromised courts and prosecutors fuel civil unrest. The 2024 #EndBadGovernance protests revived calls for judicial reform, as state-sanctioned crackdowns and unjust detentions revealed systemic failures. Without legal accountability, Nigeria risks repeating cycles of unrest and brutal suppression.

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AuthorLitangen