When journalist Naouel Bizid invited trans activist and performer Khookha McQueer to mark the 100th episode of Deep Confessions Podcast, a show about mental health became a flashpoint for Tunisia’s culture war over queer visibility and freedom of expression.​

A groundbreaking Tunisian–Croatian theatre collaboration on migration drew full houses and critical praise, only to be quietly shelved by the Tunisian National Theatre without explanation.​

At the 26th Ismailia International Film Festival, Mohammed Salah’s Co-directed with a Ghost won Best Film yet was barred from public screening by Egypt’s censorship authorities, exposing how opaque permit regimes quietly erase celebrated works from local audiences.

The Egyptian Musicians’ Syndicate’s investigation of singer Reda El Bahrawi after his July 2025 North Coast concert highlights the body’s growing influence over live performance in Egypt. With only vague references to unspecified “violations,” the case raises ongoing concerns about transparency, due process, and the impact of discretionary cultural regulation on artistic freedom.

Mohamed Ramadan faces a two-year prison sentence for releasing his hit “Number One, you halves” without Egypt’s required censorship permits, extending state control into music published on global platforms like YouTube. The conviction, though not yet enforced, sends a chilling signal to high-profile artists as authorities tighten oversight of digital creativity and blur the line between stardom and criminalisation.

Poet and opposition leader Chaima Issa has become a central symbol of Tunisia’s shrinking civic space. Arrested on 29 November while joining a women’s rights protest in Tunis, she is now serving a 20‑year sentence in the politically driven “Conspiracy Case” and has launched a hunger strike from Manouba Prison, turning her body into a final form of protest against President Kais Saied’s escalating repression.

A new report has brought grim clarity to Sudan’s ongoing war, confirming that more than fifty-five artists have been killed since fighting erupted in 2023. The African Centre for Justice and Peace Studies (ACJPS) released the findings in its November 26 publication, "Tears of Guitars", marking the first verified account of cultural casualties in the conflict. It paints a devastating portrait of how Sudan’s artistic community, once a cornerstone of civic identity and resilience, has become a deliberate target in a war shaped by fragmentation, impunity, and the battle for national memory.

In Western Sahara, art is not decoration but defiance. From refugee camps where film festivals replace embassies, to occupied cities where poems and cameras lead to prison, Sahrawi culture has become a frontline of resistance. Through music, poetry, cinema, and the bodies of activists themselves, a stateless people wages a powerful struggle for visibility, memory, and self-determination. Against walls, prisons, and exile, culture becomes both shield and weapon in a war fought with words, images, and sound.

Moroccan rapper Pause Flow is facing criminal prosecution in Sefrou over lyrics from nearly ten songs accused of insulting public officials and an organized body. After arrest and pre-trial detention, his potential release now depends on a high bail. The case has triggered national debate on artistic freedom, with fellow rappers and rights groups warning of rising pressure on critical voices in Morocco’s music scene.

The arrest of veteran Algerian journalist Saad Bouakba has reignited debate over shrinking space for free expression in Algeria. Detained after remarks on alleged historical financial misconduct linked to the FLN, Bouakba now faces charges of defamation and insulting state symbols. His case highlights the growing criminalization of dissent, the fragility of historical debate, and the mounting risks faced by journalists, artists, and commentators who challenge official narratives.

In 2025, Libya’s creative community faces unprecedented restrictions as authorities in the East and West impose strict controls over music, theater, and visual arts. Rap concerts are canceled, festivals shut down, and galleries closed, while bloggers and artists face surveillance, threats, and arbitrary detention. Human rights groups warn that these measures are driving self-censorship, exile, and the suppression of Libya’s vibrant cultural expression, raising urgent concerns about freedom of expression.

A young singer in Tangier faced legal consequences after his Eid al-Fitr performance went viral, drawing criticism for content viewed as inappropriate for minors. The Tangier Court of First Instance imposed a suspended prison sentence and a fine. The case demonstrates how social media and local public-morals laws intersect with neighborhood celebrations in Morocco.

In 2025, Tunisian artists, cultural organizations, and independent media face mounting pressure from administrative suspensions, audits, and legal scrutiny. Dream City 2025 continued its program, but the broader arts ecosystem experiences self-censorship, interrupted projects, and heightened risk. Independent media collective Nawaat illustrates the intersection of artistic, journalistic, and civic freedoms under threat in Tunisia today.

Moroccan rapper Hamza Raid became a central figure in the Gen Z protests that swept Morocco in September 2025, demanding education and healthcare reforms. Raid was detained and charged with unauthorized assembly and incitement to protest, drawing wide attention from youth and rights groups. His case highlights the risks artist-activists face and Morocco's tense climate for artistic freedom while authorities pledge order and due process.

Visa For Music 2025 returns to Rabat, Morocco, from November 19–22, celebrating its 12th edition as a premier music market and festival for Africa and the Middle East. Over four days, artists, producers, and industry professionals will connect through live showcases, electro-night performances, and professional forums, fostering collaboration, discovery, and innovation while spotlighting underrepresented talent on a global stage.

Morocco’s Gen Z protests, ignited on September 27, 2025, have become the country’s largest youth-led uprising since the Arab Spring. Sparked by deaths linked to hospital failures, thousands have taken to the streets demanding healthcare, education, and job reforms. Facing violent crackdowns and arrests, young Moroccans are joined by artists and activists, turning creativity into resistance and calling for a new social contract.

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AuthorLitangen

Visa For Music (VFM), the premier platform for African and Middle Eastern music, invites professionals to contribute to its 2025 Professional Forum in Rabat, Morocco, from November 19–22. Hosted by ANYA Culture, the forum features showcases, panels, and networking opportunities. Submit proposals for conferences, workshops, or masterclasses by May 25, 2025. Engage with 20,000+ attendees, share expertise, and empower underrepresented music communities

Hoba Hoba Spirit's Rabat concert was indefinitely postponed after backlash from AS FAR football club supporters over frontman Reda Allali’s critical comments. The incident reveals Morocco’s ongoing struggle between artistic freedom and institutional sensitivities. As fans demand accountability, the postponement underscores how cultural expression remains entangled with political red lines—especially when the military or national identity is involved.

The January 2025 arrest of journalist Ahmed Serag, following an interview with the wife of jailed cartoonist Ashraf Omar, has drawn sharp criticism from press freedom advocates. Charged with terrorism-related offenses after highlighting human rights abuses, Serag’s case exemplifies Egypt’s escalating crackdown on dissenting voices and independent journalism under President al-Sisi’s regime