The censorship of Better than Earth at the 26th Ismailia International Film Festival exposes how informal, undocumented decisions by Egyptian authorities can effectively erase a film from public view. Despite being officially selected, the film was barred through a verbal order, revealing the fragility of artistic freedom under Egypt’s censorship regime and the limited, quiet resistance available to filmmakers and festival organisers operating within state-run cultural institutions.
Iraqi digital artist and performer Joanna Al Aseel was arrested in Baghdad on 12 May 2025 after her online content was flagged as “immoral” by a Ministry of Interior committee. Her conviction and three‑month prison sentence on 20 November 2025 exemplify Iraq’s expanding use of vague public‑morals laws to police artistic expression online and deter women artists and content creators from participating in digital public space
In August 2025, security forces shut down Um Al-Rabe’ain Café in Mosul after a video of two women dancing inside the venue went viral online. The women, both employees, were detained along with other staff for alleged violations of “public morals.” The case exposes how digital outrage now drives state action, shrinking space for culture, leisure, and women’s visibility in Iraq’s recovering cities.
Iraqi novelist Rusly Al Maliki says security agents have informally banned his new book A Year of Decline, a searing account of Iraq’s corruption and social deterioration in 2024. The book was reportedly blocked from bookstores, the Baghdad Book Fair and delivery services without any court order. Al Maliki denounced the move as illegal and vowed to put the book online for free unless authorities back down by 26 September.
In August 2025, the Dean of the Faculty of Fine Arts at Damascus University ordered a ban on nude models in all graduation projects, threatening students with a grade of zero if they refused to comply. The decision triggered protests, a strong student statement, and wide online debate, reigniting long‑standing tensions over morality, religion, and artistic freedom in Syria.
A groundbreaking Tunisian–Croatian theatre collaboration on migration drew full houses and critical praise, only to be quietly shelved by the Tunisian National Theatre without explanation.
At the 26th Ismailia International Film Festival, Mohammed Salah’s Co-directed with a Ghost won Best Film yet was barred from public screening by Egypt’s censorship authorities, exposing how opaque permit regimes quietly erase celebrated works from local audiences.
On 15 December 2025, a Moscow court designated feminist punk collective Pussy Riot an “extremist organisation,” banning all its activities across Russia after a closed-door hearing. The ruling vastly expands criminal liability for referencing the group, sharing its music or displaying its symbols. Human rights groups warn the decision marks a new stage in Russia’s use of extremism laws to erase artistic dissent, cultural memory and political opposition.
PEN America’s new list of the 52 most banned books in U.S. schools reveals a coordinated campaign against literature addressing race, gender, sexuality, and state violence. With over 22,000 documented bans since 2021 across 45 states, educational censorship is becoming normalized. Award-winning classics and YA titles alike are being removed, undermining artistic freedom, cultural rights, and young people’s access to diverse stories.
The quiet cancellation of Jumana Manna’s solo exhibition at Heidelberger Kunstverein in 2023 has ignited debates on artistic freedom, Palestine, and the use of antisemitism frameworks in cultural institutions. Critics argue that IHRA definitions risk conflating political critique of Israel with antisemitism, limiting Palestinian voices. Manna’s case highlights self‑policing, institutional caution, and calls for alternative standards like the Jerusalem Declaration on Antisemitism.
The Egyptian Musicians’ Syndicate’s investigation of singer Reda El Bahrawi after his July 2025 North Coast concert highlights the body’s growing influence over live performance in Egypt. With only vague references to unspecified “violations,” the case raises ongoing concerns about transparency, due process, and the impact of discretionary cultural regulation on artistic freedom.
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Mohamed Ramadan faces a two-year prison sentence for releasing his hit “Number One, you halves” without Egypt’s required censorship permits, extending state control into music published on global platforms like YouTube. The conviction, though not yet enforced, sends a chilling signal to high-profile artists as authorities tighten oversight of digital creativity and blur the line between stardom and criminalisation.
Iranian singer, Parastoo Ahmadi, 27, stages a bold hijab‑free “imaginary concert” in a historic caravanserai, livestreamed on YouTube with no physical audience but watched by thousands online. Performing in a sleeveless dress with uncovered hair alongside three male musicians, she directly challenges Iran’s bans on women singing publicly. Within 24 hours, the judiciary announces legal proceedings, turning one virtual show into a high‑stakes test of artistic freedom.
As Uganda heads toward the 2026 elections, opposition‑aligned musicians are being drawn into an intensifying crackdown marked by arbitrary arrests, house‑arrest‑style sieges and shootings at rallies. From repeated cordons around Bobi Wine’s home to the arrest of Nubian Li and the shooting of Omukunja Atasera, the state is treating music as a security threat rather than a space for artistic expression
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As President Santiago Peña appears as guest at the Nobel Prize Awards, a darker reality unfolds at home. Paraguay’s independent arts sector is facing mounting pressure through vandalism, court rulings and moral panic. From the violent destruction of Ruth Flores’s artwork to the criminal sentencing of a cultural centre director, artists and managers are paying the price for defending dissent, diversity and free expression.
Chinese actor Yu Menglong, 37, died in Beijing on September 11, 2025. Officially ruled an accidental fall, his death has made speculation online, fuelling debates across China and Taiwan. Suppressed domestic discussion collided with diaspora discourse, highlighting tensions between PRC narrative control and cross-border media scrutiny. The case reveals the limits of digital censorship, the power of global fandom, and the complexities of information in a politically charged environment
Palestinian documentary filmmaker Abdallah Motan has been held in Israeli administrative detention since January 2025 without charges or trial. Known for his internationally recognized work, including Deferred Reclaim, Motan’s detention highlights the suppression of Palestinian cultural voices. Despite international calls for his release and solidarity screenings of his films, his status remains unconfirmed, raising urgent questions about freedom of expression and the rights of artists under occupation
The Trump administration’s December 2025 policy actions—targeting content moderation workers through visa restrictions, attacking European digital regulation, and endorsing nationalist movements abroad, reveal a coordinated strategy reframing “free speech” as a political weapon. These measures undermine platform accountability, restrict international cooperation, and threaten the democratic infrastructure that protects artistic expression and research worldwide.
From blasphemy accusations in Bangladesh to algorithmic suppression of Palestinian content, from the criminalization of artistic intention in Turkey to the chilling effect of vague laws in Peru—artistic freedom is no longer a niche issue. It's a barometer for democracy itself. The report shows that when governments arrest musicians for anti-war songs, prosecute filmmakers for planning documentaries, or shut down galleries and festivals, society loses not only cultural expression but also the capacity to challenge power, imagine alternatives, and hold authority accountable.
Renowned Iranian filmmaker Jafar Panahi, 65, has been sentenced in absentia by Tehran’s Revolutionary Court to one year in prison, a two‑year travel ban and a ban on political and social group membership for alleged “propaganda activities against the system.” The ruling comes as his Cannes‑winning film “It Was Just an Accident” garners major international awards and renews focus on Iran’s assault on artistic freedom.
